EDDIE Murphy returns in the highly anticipated fourth instalment of his iconic franchise, “Beverly Hills Cop: Axel F”, now streaming on Netflix.
While it might not capture the exact feel of the earlier films, this latest entry delivers a surprisingly entertaining experience.
It doesn't quite hit the comedic peaks or ambition of its predecessors but it gives fans exactly what they want: Alex in action, blowing things up and delivering witty lines that will make you laugh or crack a smile.
The movie feels like a nostalgic nod to the energetic sequels that kept audiences hooked years ago. It is packed with moments designed to trigger fond memories and make you go, “Oh yeah, I remember that!”
But hey, who’s complaining? Studies have shown that nostalgic films can remind viewers of happier, simpler times, providing emotional comfort and a temporary escape from current challenges. “Beverly Hills Cop: Axel F” does just that.
The story kicks off with Axel Foley, played by Murphy, caught up in an undercover operation in Detroit.
He disrupts a robbery, leading to the usual chaos and destruction. This adventure soon brings him back to Beverly Hills after a distressing call from his old friend, Billy Rosewood (Judge Reinhold), about his estranged daughter, Jane (Taylour Paige), a defence attorney, being in danger.
Jane and Axel’s strained relationship takes centre stage as they team up to uncover a criminal conspiracy involving corrupt cops targeting Jane for defending a man she believes is innocent.
The plot is straightforward, following the classic “Beverly Hills Cop” formula but with enough twists to keep viewers engaged.
Adding depth to the story is Axel’s former partner, Jeffrey Friedman (Paul Reiser), now the Chief of Police and nearing retirement. This sub-plot explores themes of ageing within the police force, adding a reflective layer to the narrative.
Murphy’s portrayal of an older Axel, reluctant to admit he’s not as young as he once was, adds a relatable and humorous touch.
His interactions with Friedman and old friend John Taggart (John Ashton) highlight his struggle with accepting life's inevitable changes.
The dynamic between Axel and Jane adds emotional depth to the film between father and daughter and the challenges that come with it. Taylour Paige shines as Jane, often matching Murphy’s charisma and quick wit.
You know, like father like daughter.
Their scenes together are touching, echoing the classic trope of a father trying to make up for lost time.
As Paige's character says, “You didn’t fight for me. I’m your daughter. The only thing you’ve ever fought for is your job.”
It's a line that resonates deeply, highlighting the essence of their complicated relationship.
The plot is simple but effective: Axel, thriving in Detroit and causing spectacular mayhem, is urgently called back to Beverly Hills to assist Jane.
This leads him into a murder case involving corrupt cops, providing plenty of opportunities for him to poke fun at the opulence of Beverly Hills once again.
“Beverly Hills Cop: Axel F” is a delightful, nostalgic ride that doesn’t overreach but delivers entertainment. It’s a reminder of why Murphy remains a favourite, blending action and humour in a way that feels both familiar and fresh.