Is 'Selling Sunset' season 9 all about cattiness? Discover the drama that took over

Where do we even start with the ninth season of "Selling Sunset?"

The show, which started off as a glossy peek into high-end real estate, has slowly morphed into a metaphorical blood bath.

Put a bunch of competitive, high-maintenance “Barbies” in one office and, well, chaos happens. The original focus on property is barely hanging on, as drama now seems to be the main product.

Sure, I enjoyed the earlier seasons when it was about real estate and majestic homes. That’s why I watch gorgeous landscapes, jaw-dropping interiors, and the crazy amounts people will pay for their dream pad, even if it’s just for rent.

This season? Maybe four houses got a proper showing, but most of the screen time is devoted to back‑stabbing, gossip and passive‑aggressive theatrics.

Chrishell Stause is a mixed bag this season. At times, I get her frustration and ambition. In other moments, I'm like, sis, just chill.

Then there’s Bre Tiesi. Anyone connected to Nick Cannon should perhaps tread lightly, but she’s out here critiquing “non‑pretty flowers” like it’s a federal offence.

Meanwhile, Mary Bonnet leaves me shaking my head for real. Sure, she probably sells houses, but her piercings are more interesting than her role. Fans have also called out some shady behaviour that doesn’t exactly scream “professional realtor”.

As I predicted, Amanza Smith still didn’t sell a house. Instead, she got caught up in an argument about … cocaine. Yes, cocaine.

It’s tiring that we are still talking about this nine seasons in. Nobody cares about your past when it’s irrelevant to the listings we’re supposed to be seeing.

Meanwhile, Chelsea Lazkani, on the other hand, was definitely glowing this season after her divorce. She seemed more grounded and had real intentions when it came to her work and relationships in the office.

But naturally, her niceness rubbed Bonnet the wrong way, creating that awkward tension that keeps the cameras rolling.

Nicole Young continues to be cast as the “bad guy” this season, and honestly, it’s exhausting. Sometimes, she deserves the badge; she’s outspoken and doesn’t sugarcoat anything.

But the drama feels unnecessary, overall. It has been dragged out for the cameras long enough.  

You can’t have the same person portrayed as the villain for three seasons with the same tedious storylines, especially when much of it is exaggerated or straight‑up untrue. It’s tiring for viewers and unfair to her.

Then there’s newcomer Sandra Vergara, who, honestly, brought very little to the table. Instead of making a mark with her work, it felt like she was constantly searching for ways to fit into one of the existing cliques.

The Oppenheim office is full of micro-groups and alliances, and Vergara seemed more focused on navigating them than showcasing any real skill. If she was hoping to make her own presence felt, it didn’t quite land.

Ultimately, the show feels like it’s dangling by a thread. Sadly, the concept of luxury real estate with style and sass is buried under a mountain of cattiness.

"Selling Sunset" is now streaming on Netflix.

** significant flaws, but some merit.